Two Collections
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  • Hi Interested Folks,
     
    "Two Collections" celebrates the history of Australian Indigenous art on canvas or board since its dramatic beginnings circa 1970. Early works are from the Wilkerson collection (1971-1985-ish), and later works are from the Martin/Stringfield collection.
    The site is intended for reference, scholarship, and for admirers of Australian Indigenous art. Also, the curious. It is not a commercial site. 
     
    Note: Copyright for the photos is pending. The site is still being formed and not all data has been thoroughly applied. Give us time!
     
    Enjoy,
    John, Barbara, Anne, and Steve
  • Essays

    • What New York Could Learn from Alice Springs, Deborah Solomon
      Pages

      What New York Could Learn from Alice Springs

      Deborah Solomon
      'Contemporary Australian Indigenous painting has an official start date of 1971, an era when Minimalist artists in New York were turning out metal cubes and proclaiming that “painting is dead”'
    • Contemporary Art of the Everywhen, Myles Russell-Cook
      Pages

      Contemporary Art of the Everywhen

      Myles Russell-Cook
      'Two Collections reminds us of the dynamic and evolving nature of Indigenous art as a living testament to resilience, creativity, and cultural connection'
    • Ways of Looking at Western Desert Paintings, Fred Myers
      Pages

      Ways of Looking at Western Desert Paintings

      Fred Myers
      The works presented on this website from the two collections probably should be understood as emanations of the ‘acrylic painting movement’ that began at Papunya in 1971 with the painters...
    • Country, Cosmos, and Continuity: Indigenous Australian Art as Living Knowledge, Mayatili Marika
      Pages

      Country, Cosmos, and Continuity: Indigenous Australian Art as Living Knowledge

      Mayatili Marika
      It is an extraordinary moment in history to be Indigenous Australian. Only a generation or two ago, our forebears, living forty, fifty, or sixty years in the past, could scarcely...
  • Yukultji Napangati with "Untitled," 2017  Photo: Sandee Oliver (Larger version of this image opens in a popup).
    Standing is Bobby West Tjupurrula and kneeling at painting is Ray James Tjangala, putting Wamulu on ground surface at Cornell’s Johnson Museum, 2009 (Larger version of this image opens in a popup).
    Yukultji Napangati with Steve Martin and D'Lan Davidson (Larger version of this image opens in a popup).
    Makinti Napanangka with Kungka Kutjarra (Two Women), 2001 (Larger version of this image opens in a popup).
    Warlimpirrnga Tjapaltjarri (photo: New York Times) (Larger version of this image opens in a popup).
    Makinti Napanangka painting (Larger version of this image opens in a popup).
    Presenter Mayatili Marika at UOVO, Long Island City, 2023. (Larger version of this image opens in a popup).
    George Tjungurrayi, Kintore, Australia, 2005 (Larger version of this image opens in a popup).
    Icons of the Desert, Grey Art Gallery, New York University, 2009 (Larger version of this image opens in a popup).
    John Wilkerson with Steve Martin, in front of Mountain Devil Lizard Dreaming by Kathleen Petyarre (1940–2018) at the exhibition 60 Over 50 at Uovo in New York, 2024.  Photo: Sandee Oliver (Larger version of this image opens in a popup).
    Ronnie Tjampitjinpa painting "Untitled," 1997 (Larger version of this image opens in a popup).

    Yukultji Napangati with "Untitled," 2017

    Photo: Sandee Oliver

    • John & Barbara Wilkerson
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      John & Barbara Wilkerson

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    • Steve Martin & Anne Stringfield
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      Steve Martin & Anne Stringfield

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