"Untitled (Alhalkerre), 1995, is reductive in the use of her lexicon. Layers of broad powerful brush strokes are layered upon an ochre coloured ground, the palette simply ochre and white and variations between creating layers of ochre, burnt orange, rust and cream. It is the gesture, the way that the paint has been applied that dominates this painting. The work exudes energy and the sweeping lines express a movement that takes your eye across all parts of the canvas. Despite being a large painting, over two metres long, the arcs created by the sweep of the of the artist's outstretched arm lend the painting a human scale while describing a broad stretch of landscape. This is a striking instance of body and country becoming one; a woman drawing her country with her body's reach. Untitled (Alhalkerre) can be regarded as one of the great masterpieces in Australian Aboriginal art." (Jennifer Isaacs, et al., Emily Kngwarreye Paintings, 1998, p. 32)