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Open a larger version of the following image in a popup: Paddy Bedford, Mud Springs - Yuwangeny, 2002
Open a larger version of the following image in a popup: Paddy Bedford, Mud Springs - Yuwangeny, 2002

Paddy Bedford, photographed in 2002 at the William Mora Galleries, Melbourne

Paddy Bedford Gija language group, circa 1922-2007

Mud Springs - Yuwangeny, 2002
Natural earth pigments and synthetic binder on linen
59 x 70 ⅞ inches (150 x 180 cm)
© Paddy Bedford/Copyright Agency. Licensed by Artists Rights Society, NY, 2026

Further images

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Gija Language Group
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Provenance

The Artist, painted in the Kimberley Region, Western Australia 

Jirrawun Arts, Kimberley, Western Australia, cat. no. PB 6.2002.127 

William Mora Galleries, Melbourne, acquired from the above in 2002

Zoltan and Belinda Friedman Collection, Melbourne, acquired from the above in 2007

D'Lan Contemporary, Melbourne

Collection of Steve Martin & Anne Stringfield, New York

Exhibitions

Jirrawun Artists - Painting Country (Part 2), William Mora Galleries, Melbourne, 19 October – 9 November 2002

Paddy Bedford: Spirit & Truth, Frieze Masters, London, 9 October 2024 – 13 October 2024

Publications

Michael, Linda. Paddy Bedford. Museum of Contemporary Art, Sydney, 2006, p. 151 (illus.)

"The composition of the painting presents itself as initially symmetrical with two main coloured fields, one black (left) and one grey (right), divided by a dotted line with in its middle a black and red circle...Paddy Bedford often revisits the same country in his paintings. This is the case for Mud Springs (Yuwangeny in Gija), an important Dreaming site on Bedford Downs that forms the subject of this painting...The central circle in the picture depicts the permanent waterhole in which the rainbow snake lives...While the central circle seemingly dictates the focus and locus of the picture, the red expanse takes on equal importance...the dramatic developments of the story are translated onto the canvas through the relations between the different components of the composition."
— Dr. Georges Petitjean, 2002

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