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Open a larger version of the following image in a popup: Doreen Reid Nakamarra, Marrapinti, 2009

Doreen Reid Nakamarra Pintupi/Ngaanyatjarra language group, circa 1955-2009

Marrapinti, 2009
Synthetic polymer paint on Belgian linen
72 × 96.1 inches (183 x 244.1 cm)
Photo: Courtesy of D’Lan Contemporary
View on a Wall
Pintupi/Ngaanyatjarra Language Group
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Provenance

The Artist, painted at Kiwirrkurra, Western Australia

Papunya Tula Artists, Alice Springs, Northern Territory, cat. no. DR0802033

Private Collection, Melbourne, Victoria, acquired from the above in 2008

D'Lan Contemporary, Melbourne

Tim Klingender Fine Art, Sydney (through acting agent D'Lan Contemporary, Melbourne)

Collection of Steve Martin & Anne Stringfield, New York, acquired from the above 2022

Exhibitions

The 25th Telstra National Aboriginal and Torres Strait Islander Art Awards (Telstra NATSIAA), Museum and Art Gallery of the Northern Territory, Darwin, August 2008 – Winner of the General Painting Award 

The Third Moscow Biennale of Contemporary Art - Against Exclusion, Garage Center for Contemporary Art, Moscow, 25 September – 1 November 2009

Sydney Contemporary Art Fair, Sydney 2022

60 over 50: 60 Paintings from 50 Years of Australian First Nations Art, UOVO, New York, 15 - 20 May, 2023

Literature

Jean-Hubert Martin, et al., 3rd Moscow Biennale of Contemporary - Art Against Exclusion, Garage CCC, Moscow 2009, p. 132-133 (illus.)

Vanessa Merlino and Luke Scholes, 60 over 50: 60 Paintings from 50 Years of Australian First Nations Art, UOVO, 2023, p. 24-25 (illus.)

“Born in the Warburton Ranges in Western Australia, over 400 miles from the community of Kiwirrkurra, where she lived and painted, Doreen Reid Nakamarra was one of Papunya Tula Artists’ most devoted and meticulous artists. Given the rights of her artist husband, Doreen painted the sites of the great ancestral Kana Puta women’s songline that traversed across his Country and their community. From her first modest canvas painted in 1996, Doreen steadily and consistently developed and refined her style until achieving a breakthrough work in 2005 that first embodied the rolling sandhills of the desert in a pulsating zigzag design.This highly polished representation of Country inspired further innovation, with the paintings being laid flat in several major institutional exhibitions to emphasise the three-dimensional effect of the work.” (Vanessa Merlino and Luke Scholes, 60 over 50: 60 Paintings from 50 Years of Australian First Nations Art, 2023, p. 24)
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Related artworks
  • Doreen Reid Nakamarra, Untitled - Marrapinti, 2008
    Doreen Reid Nakamarra, Untitled - Marrapinti, 2008
  • Doreen Reid Nakamarra, Untitled - Ngaminya, 2005
    Doreen Reid Nakamarra, Untitled - Ngaminya, 2005

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