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Open a larger version of the following image in a popup: Dickie Minyintiri, Wati-ku Inma Tjukurpa, 2013
Open a larger version of the following image in a popup: Dickie Minyintiri, Wati-ku Inma Tjukurpa, 2013

(detail) Dickie Minyintiri, Wati-ku Inma Tjukurpa, 2013

Photo: Courtesy of D’Lan Contemporary

Dickie Minyintiri Pitjantjatjara, circa 1915-2014

Wati-ku Inma Tjukurpa, 2013
Synthetic polymer paint on linen
47.2 x 71.6 inches (120 x 182 cm)
Photo: Courtesy of D’Lan Contemporary

Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
Pitjantjatjara Language Group
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Provenance

The Artist, painted at Pukatja, South Australia

Ernabella Arts, South Australia, cat. no. 512-12

Marshall Arts, Adelaide, Melbourne, acquired from the above in 2014

Private Collection, Melbourne

D'Lan Contemporary, Melbourne

Collection of Steve Martin & Anne Stringfield, New York

Exhibitions

Minyintiri: Life in Layered Time, D'Lan Contemporary, Melbourne, 25 March – 8 May 2021

Clever Men: Harry Tjutjuna, Dickie Minyintiri and Tiger Palpatja, D'Lan Contemporary, Melbourne, 26 October – 6 December 2024

Literature

Vanessa Merlino and Dr Diana James, Minyintiri: Life in Layered Time, D'Lan Contemporary, Melbourne, 2021, p. 40-41 (illus.)

Vanessa Merlino & Isabella Wadley, Clever Men: Harry Tjutjuna, Dickie Minyintiri and Tiger Palpatja, D'Lan Contemporary, Melbourne, 2024, p. 34-35 (illus.)

“Dickie Minyintiri proudly spoke of the Tjukurpa in his paintings. He began by naming the places in his country, his ngura walytja - places of his spirit, places created by his totemic ancestors in the custodianship of his extended family. The birth place names of his grandfathers and grandmothers, fathers and mothers, aunts and uncles– Arangna, Utjuri, Kalka, Pipalyatjara, Nyumpantja, Yalta Yalta, Puta Puta, Malara, Kinanarna, Ilitjata, Mspanpa, Kunatjara. Minyintiri knew this country intimately and sensually through the soles of his bare feet from walking hundreds of kilometers as a child and young man guided by the unerring visual spatial knowledge and mnemonic songlines taught to him by his kinsmen.” (Dr Diana James, Minyintiri: Life in Layered Time, 2021, p. 10)

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