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Open a larger version of the following image in a popup: Daniel Walbidi, Kirriwirri, 2024
Open a larger version of the following image in a popup: Daniel Walbidi, Kirriwirri, 2024

Steve Martin and Daniel Walbidi. Image © Franchesca Cubillo, National Gallery of Australia

Open a larger version of the following image in a popup: Daniel Walbidi, Kirriwirri, 2024

Photograph by Casey Regan, Courtesy D'Lan Contemporary

Open a larger version of the following image in a popup: Daniel Walbidi, Kirriwirri, 2024

 Daniel Walbidi, Kirriwirri, 2024

 Courtesy D'Lan Contemporary

Daniel Walbidi Yulparitja/Mangala, B. 1983

Kirriwirri, 2024
Synthetic polymer paint on linen
70.9 x 59.1 inches (180 x 150 cm)
Photo: Courtesy of D’Lan Contemporary

Further images

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View on a Wall
Yulparitja/Mangala Language Group

"'Kirriwirri' is my grandfather's and grandmother's country. That is where they bought up all their children, and where my father was bought up. It is like their family home, their roots. There is big claypan at this place, it is an important place for our family. Our clan is also named Kirriwirri, and individual members of our clan are named 'Kirriwirri'."

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Provenance

The Artist, painted in 2024

Short St Gallery, Western Australia, cat. no. 841733

D'Lan Contemporary, Melbourne

Collection of Steve Martin & Anne Stringfield, New York

Exhibitions

Yurlupirti Forever Without End (Eternal): Daniel Walbidi, D'Lan Contemporary, New York,  26 April - 31 May 2024

Publications

Vanessa Merlino & Isabella Wadley, Yurlupirti Forever Without End (Eternal): Daniel Walbidi, D'Lan Contemporary, New York, p. 22-23 (illus.)

 

"Kirriwirri is a jila (living water) near well 33 on the Canning stock route in the Great

Sandy Desert. Daniel's painting reflects the complex desert landscape full of life and
colour. He depicts saltlakes (white areas) and the talis (sandhills). 

 

"Kiriwirri is the birthplace of my fathers family it is the family home, my father along with his older siblings spent their childhood and adolescents here. Kiriwirri is also important to many other family and clan groups because it is a living jila meaning it has water that never dries out even during the driest of seasons. I have never been to Kiriwirri but I have a deep desire within to travel and see this country to become connected. My grandparents have sadly passed away a longtime ago so I guess if I ever do go back to Kiriwirri I would be taking a part of them back. I also paint another important place called Wirnpa. Wirnpa and Kiriwirri are very important to me because I am related to two of these jila. Kiriwirri is my grandfather and Wirnpa is my grandfather they also related to each other being brother in laws. Wirnpa is of the same skin group as me we are both Purungu and Kiriwirri is the Milangka skin group." (Text courtesy of the Artist and Short St Gallery)

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