Given the similarity in execution and materials, it seems likely this small board was also the work of Tommy Lowry Tjapaltjarri.

A diagram and annotation was provided by Geoffrey Bardon for the 1999 sale. On the diagram drawn by Frank Slip and signed by Bardon is the remark: “Painted on scrap wood–Geoff Bardon’s Art Room, Papunya, Sept. 1971.” On the verso of the diagram, Bardon notes: “The emerging design motifs for ceremonial men as a U shape, journey line and sitdown places are all apparent. It reveals the ceremonial positions for a dreaming map and is similar to ceremonial signs or motifs in actual images, on traditional objects here transposed to hardwood.” (Icons of the Desert: Early Aboriginal Paintings from Papunya, p. 82)