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John & Barbara Wilkerson

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Open a larger version of the following image in a popup: Billy Stockman Tjapaltjarri, Possum Dreaming [formerly Totemic Possum Dreaming], 1972

Billy Stockman Tjapaltjarri

Possum Dreaming [formerly Totemic Possum Dreaming], 1972
Synthetic polymer/powder paint on composition board
36 max x 25 ¼ inches (91.44 max x 64.14 cm)
Photo: Tony De Camillo for the Herbert F. Johnson Museum of Art, Cornell University
Anmatyerr Language Group
(This image is considered Secret/Sacred)
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Provenance

The Artist, painted early 1972

Papunya Tula Artists, Alice Springs, Northern Territory, consignment 17, painting 33, cat. no. 17033

Argyle Arts Center, Sydney

Private Collection, Sydney 

Deutscher-Menzies, 19th and 20th Century Australian Painting, Sculpture and Works on Paper, Melbourne, 20 April, 1998, lot 4

Collection of John and Barbara Wilkerson, New York

Exhibitions

Aboriginal Art from Papunya Central Australia, Argyle Arts Center, Sydney 
23 May - 16 June 1974 

Icons of the Desert: Early Aboriginal Paintings from Papunya, The Herbert F Johnson Museum, Cornell University, Ithaca, New York, 10 January - 5 April 2009; Fowler Museum of Cultural History, University of California, Los Angeles, 3 May - 2 August, 2009; Grey Art Gallery, New York University, New York, 1 September - 5 December, 2009

Tjukurrtjanu: Origins of Western Desert Art, The Ian Potter Centre, National Gallery Victoria, Melbourne, Australia, 30 September 2011- 12 February 2012; Musee du quai Branly, Paris, France, 9 October 2012- 20 January 2013

Abstraction & the Dreaming: Aboriginal Paintings from Australia’s Western Desert (1971 – Present), Nora Eccles Harrison Museum of Art, Utah State University, Utah, 11 September - 12 December 2015

 

Publications

Deutscher-Menzies, 19th and 20th Century Australian Paintings, Sculpture and Works on Paper, Melbourne, 20 April, 1998, p.18

Bardon and Bardon, Papunya, A Place Made After the Story: The Beginnings of the Western Desert Painting Movement, The Miegunyah Press: Melbourne, 2004, p. 222, painting 132

Roger Benjamin, Fred Meyers, Vivien Johnson, et al., Icons of the Desert: Early Aboriginal Paintings from Papunya, The Herbert F Johnson Museum, Cornell University, 2009

“The artist here tells a possum traveling story. The central undulating line is the travelling itself, in sandhill country; the concentric circles are possum tree homes with possum tracks completing a myth of a mischievous Possum Spirit Being looking for bush tucker. The ceremonial objects carry markings for a ritual.” (Papunya, A Place Made After the Story: The Beginnings of the Western Desert Painting Movement, 2004, p. 222)
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