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Open a larger version of the following image in a popup: Shorty Lungkarta Tjungurrayi, Tingarri Ceremony at Ilingawurngawurrnga, 1974

Shorty Lungkarta Tjungurrayi Pintupi, circa 1920-1987

Tingarri Ceremony at Ilingawurngawurrnga, 1974
Synthetic polymer paint on canvas
66 ⅜ x 40 ⅛ inches (168.59 x 101.92 cm)
Photo: Tony De Camillo for the Herbert F. Johnson Museum of Art, Cornell University
Pintupi Language Group
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Provenance

The Artist, painted at Yayayi Bore, July 1974

Papunya Tula Artists, Alice Springs, Northern Territory, cat. no. SL74625

Private Collection, Melbourne

Sotheby's, Aboriginal Art, Melbourne, 26 June, 2000, lot 36

Collection of John and Barbara Wilkerson, New York

Exhibitions

Icons of the Desert: Early Aboriginal Paintings from Papunya, The Herbert F Johnson Museum, Cornell University, Ithaca, New York, 10 January - 5 April 2009; Fowler Museum of Cultural History, University of California, Los Angeles, 3 May - 2 August, 2009; Grey Art Gallery, New York University, New York, 1 September - 5 December, 2009

Abstraction & the Dreaming: Aboriginal Paintings from Australia’s Western Desert (1971 – Present), Nora Eccles Harrison Museum of Art, Utah State University, Utah, 11 September - 12 December 2015

60 over 50: 60 Paintings from 50 Years of Australian First Nations Art, UOVO, New York, 15 - 20 May, 2023

Publications

Sotheby's, Aboriginal Art, Melbourne, 26 June, 2000, p. 32-33

Roger Benjamin, Fred Meyers, Vivien Johnson, et al., Icons of the Desert: Early Aboriginal Paintings from Papunya, The Herbert F Johnson Museum, Cornell University, 2009

Vanessa Merlino and Luke Scholes, 60 over 50: 60 Paintings from 50 Years of Australian First Nations Art, UOVO, 2023, p. 54-55 (illus.)

“Completed just two years after Lungkarta began creating small works on board, Tingarri Ceremony at Ilingawurngawurrnga is highly representative of the dramatic development of Lungkarta’s practice. Access to relatively large substrates and new materials of the Papunya artists in their desire to experiment with new visual forms.

 Created during a time of intense ritual activity, this large masterful work depicts a camp of cultural novices as they prepare for ceremony. The billowing half circles reveal seated men as they gather to decorate the backs of ceremonial performers.

Tingarri ceremonies and designs are associated with the travels of a group of ancestral post-initiates and their instructors. The songs, dances and stories that record the travels and activity of Tingarri ancestors continues to inform the ceremonial lives of Pintupi men today.” (Vanessa Merlino and Luke Scholes, 60 over 50: 60 Paintings from 50 Years of Australian First Nations Art, 2023, p. 54)

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Related artworks
  • Shorty Lungkarta Tjungurrayi, Mystery Sand Mosaic, 1974
    Shorty Lungkarta Tjungurrayi, Mystery Sand Mosaic, 1974
  • Shorty Lungkarta Tjungurrayi, Children’s Water Dreaming (Version 2) [formerly Water Story], 1972
    Shorty Lungkarta Tjungurrayi, Children’s Water Dreaming (Version 2) [formerly Water Story], 1972
  • Shorty Lungkarta Tjungurrayi, Classic Pintupi Water Dreaming [formerly Water Dreaming], 1972
    Shorty Lungkarta Tjungurrayi, Classic Pintupi Water Dreaming [formerly Water Dreaming], 1972

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