Carlene West, Tjitjiti, 2014
Photo: Courtesy of D’Lan Contemporary
(detail) Carlene West, Tjitjiti, 2014
Photo: Courtesy of D’Lan Contemporary
(detail) Carlene West, Tjitjiti, 2014
Photo: Courtesy of D’Lan Contemporary
(detail) Carlene West, Tjitjiti, 2014
Photo: Courtesy of D’Lan Contemporary
Carlene West Pitjantjatjara language, circa 1944-2021
Further images
Provenance
Spinifex Arts Project, Western Australia, cat. no. 14082
Raft Artspace, Melbourne
D’Lan Contemporary, Melbourne
Collection of Steve Martin & Anne Stringfield, New York
Exhibitions
Carlene West, Raft ArtSpace, Alice Springs, 6 – 27 September 2014
Significant part II, D'Lan Contemporary, Melbourne, 2 June – 22 July 2023
Literature
John Carty, Carlene West: The End of Exploring’ in Marking the Infinite: Contemporary Women Artists from Aboriginal Australia from the Debra and Dennis Scholl Collection, 2017.
Vanessa Merlino, Significant part II, D'Lan Contemporary Pty Ltd, Melbourne, 2023, p. 67 (illus.)
Two ancestor women are walking across the salt lake with a child. They are called by a stranger from the north, Wati Kinika (the Native Cat man), to hand over the child. The women try to escape but Wati Kinika releases a hail of spears, one of which impales the two women and the child as one. A rocky outcrop rising at one end of the lake is the women and child standing where they were murdered – a protruding seam of reddish brown and white is the clutch of spears hurled by the Native Cat man. Kinika travelled on to Ooldea, where he encountered Pira (the Moon man). A massive, rolling fight ensued between the supernatural beings, clashing repeatedly along the Ooldea Range and a number of large salt lakes in the area on the way to Lake Wyola, where Pira finally subdued and killed Kinika. Justice had been satisfied, harmony reinstated and Pira was able to take up his appointed role as the illuminator of the
night world. —Text by Vanessa Merlino, in Significant part II exhibition catalogue (D'Lan Contemporary, Melbourne) p. 67