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Steve Martin & Anne Stringfield

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Open a larger version of the following image in a popup: Carlene West, Tjitjiti, 2014
Open a larger version of the following image in a popup: Carlene West, Tjitjiti, 2014

Carlene West, Tjitjiti, 2014

Photo: Courtesy of D’Lan Contemporary

Open a larger version of the following image in a popup: Carlene West, Tjitjiti, 2014

(detail) Carlene West, Tjitjiti, 2014

Photo: Courtesy of D’Lan Contemporary

Open a larger version of the following image in a popup: Carlene West, Tjitjiti, 2014

(detail) Carlene West, Tjitjiti, 2014

Photo: Courtesy of D’Lan Contemporary

Open a larger version of the following image in a popup: Carlene West, Tjitjiti, 2014

(detail) Carlene West, Tjitjiti, 2014

Photo: Courtesy of D’Lan Contemporary

Carlene West Pitjantjatjara language, circa 1944-2021

Tjitjiti, 2014
Synthetic Polymer Paint on linen
72 x 48 inches (182 x 122 cm)
Photo: Courtesy of D’Lan Contemporary

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Provenance

Spinifex Arts Project, Western Australia, cat. no. 14082

Raft Artspace, Melbourne

D’Lan Contemporary, Melbourne

Collection of Steve Martin & Anne Stringfield, New York

Exhibitions

Carlene West, Raft ArtSpace, Alice Springs, 6 – 27 September 2014

Significant part II, D'Lan Contemporary, Melbourne, 2 June – 22 July 2023

New Work From Spinifex Arts Project, D'Lan Contemporary, New York, 13 July 2023 – 25 August 2023

Literature

John Carty, Carlene West: The End of Exploring’ in Marking the Infinite: Contemporary Women Artists from Aboriginal Australia from the Debra and Dennis Scholl Collection, 2017.

Vanessa Merlino, Significant part II, D'Lan Contemporary Pty Ltd, Melbourne, 2023, p. 67 (illus.)

Two ancestor women are walking across the salt lake with a child. They are called by a stranger from the north, Wati Kinika (the Native Cat man), to hand over the child. The women try to escape but Wati Kinika releases a hail of spears, one of which impales the two women and the child as one. A rocky outcrop rising at one end of the lake is the women and child standing where they were murdered – a protruding seam of reddish brown and white is the clutch of spears hurled by the Native Cat man. Kinika travelled on to Ooldea, where he encountered Pira (the Moon man). A massive, rolling fight ensued between the supernatural beings, clashing repeatedly along the Ooldea Range and a number of large salt lakes in the area on the way to Lake Wyola, where Pira finally subdued and killed Kinika. Justice had been satisfied, harmony reinstated and Pira was able to take up his appointed role as the illuminator of the
night world. —Text by Vanessa Merlino, in Significant part II exhibition catalogue (D'Lan Contemporary, Melbourne) p. 67

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